Skip to main content

Humor, and All Its Incongruencies

For the sake of argument, let us assume there are three aspects of humor, and everything falls under one category or another: incongruity, superiority, and relief. Incongruity is defined as “the state of being incongruous, or out of keeping.” Superiority is defined as “the state of being higher in rank, status, or quality.” Relief is defined as “a feeling of reassurance and relaxation following release from anxiety or distress.” None of these definitions scream “funny” at us, so why divide the forms of comedy into these categories? All humor stems from some, if not all, of these tactics, placing the outside-viewer above those involved in the comedic situation, whether through their own knowledge, relief, or equally unexpected occurrences across universes.

I believe, when achieved properly, that incongruity is the funniest of the three forms. This is reflected fairly understandably when my sense of humor is revealed. My favorite comedic film is Ethan and Joel Coen’s 1998 masterpiece The Big Lebowski, the greatest comedy ever to grace television are the things borne from Tim Heidecker and Eric Wareheim, particularly Check It Out! With Dr. Steve Brule, and the internet has provided me countless hours of laughter stemming from the Sleepycabin podcast, Too Many Cooks, and CollegeHumor’s Precious Plum series. All of these sources utilize the unexpected to achieve their humor; whether it is through lines delivered in a sense that would not be anticipated, or through the sheer bewilderment shown in the surreal settings or unconventional plot devices.

Superiority humor shines through when there is a character around to belittle. Michael Scott in the U.S. version of The Office is a perfect example of how this humor can be done right. Other series with eccentric and charismatic, yet deeply troubled and emotionally multifaceted, main characters such as Rick and Morty and Bojack Horseman achieve this effect properly as well. Relief humor is probably the least effective form of humor on me, considering I find it to be the least defined of the three. Relief humor in the sense of the comics in the newspaper just really do not appeal to me nearly as much as the surrealism and absurdity of the other two forms, and even superiority humor pales in comparison to the absolute clusters of absurdity potentially provided by well-executed incongruous humor.

Comments

  1. I think you can also see relief as meaning dealing with dark subjects, so it doesn't have to be the silliness of the funny pages, though it can be that.

    ReplyDelete

Post a Comment

Popular posts from this blog

Logsdon Logs On: A First Impression of the First Lead Blog Post

Ah, yes. The Office . A delightful slice of life comedy that nearly everyone is familiar with, to some extent or another. Centering around the presumed-mundane lives of the workers in a failing paper company, The Office presents such unique yet realistic scenarios and characters that is is nearly impossible not to fall in love with it. Each episode remains so timeless, and given the amount of times that I have viewed the series in its entirety, I do not believe I could get tired of reading about it, as Logsdon claims I may. So let us address his reasoning as to why exactly The Office , as awkward and niche as it would seem to be, manages to appeal to such a widespread audience. Citing the scene in “Stress Relief” in which Dwight sets fire to the workplace was definitely a great choice, in terms of both getting the point of the blog post across as well as simply being a personal favorite of mine. Highlighting the dynamic of the main and supporting characters in the office is defin...

Tom and Jerry: The Household Comedy of Brutality

Tom and Jerry are one of the most iconic, recognizable duos in all of cartoon history. The charming, animated, domestic ultraviolence of the age-old cat versus mouse tale has weaved its way into the hearts and minds of the last five generations or so. It relies heavily on simple, slapstick scenarios, often involving the pain of Tom the cat and pleasure of Jerry the mouse. Slapstick humor is defined as “comedy based on deliberately clumsy actions and humorously embarrassing events.” This means that anything from The Three Stooges to Blazing Saddles has indulged in a bit of slapstick every now and then, even if it is considered to be childish and cheap to most critical audiences. However, despite the negative connotation associated with slapstick, Tom and Jerry has managed to not only create a formula that performs remarkably well, but also one that stands the test of time. Tom and Jerry continues to be a relevant series down through generations, constantly getting reboots, reruns, ...

Buddy the Elf: An Entrance Into Benign Violation

Ah, yes. The ever-present Elf . Throughout my experience in public school, this film in particular has consistently been the go-to for any sort of event that involves a movie, whether or not it was anywhere near Christmas. With this film, Will Ferrell has achieved what is arguably the most iconic of his smorgasbord of popular roles. The film remains a massive success in terms of profit and notoriety, and has solidified itself as a staple of both holiday films and family comedies. It is not difficult to see why it struck a chord with so many. The film’s plot is the standard ‘fish out of water’ scenario, which is highlighted in many of the scenes that Ramsden details in her initial article. A wide-eyed, purely innocent Buddy the Elf (played by Ferrell) is shown the realities of living in New York City, chasing after a crotchety businessman who is completely unaware of Buddy’s status as his son. As Buddy is being exposed to these brutal situations in a strange new land, it very well sho...